Viewpoints News (Page 4)

Grey's Anatomy writer Debora Cahn, who authored last night's episode, posted some thoughts on "Brave New World" on the writers' blog.

Here's her column, which you can find in its entirety here ...

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To the dermatologists of the world:

We love you. We really do. We think you do fine work. Important, difficult work. Life saving work. We all love you here at Grey’s Anatomy, and we’re a little concerned that you might not take tonight’s episode in the spirit it was intended.

Light-hearted! No lack of respect! We kid, and we kid from love!

I thought it was all going to be fine, and then I heard, one by one, that every Grey’s writer had made an appointment with their dermatologist this week, BEFORE the episode aired.

Everybody wanted everything checked before we pissed off every dermatologist in the land. When one writer did it, I thought it was cute, and a little paranoid.

But when the emails started pouring in.

“Going to be 10 minutes late this morning, have appt with my dermatologist,” well, then I started getting worried. We love you, dermatologists. Please don’t hurt us.  See, it’s Cristina Yang that thinks surgery is harder. Not us. CRISTINA. When the writers of “The Shield” portray junkies calling police officers “f-ing pigs,” it’s not the writers who think they’re f-ing pigs, it’s just the junkies. Right? Cristina. Yang. Don’t hate us.

A word about diaries. When you find your mother’s diary, don’t read it.  DON’T READ IT. I tell you this from experience. I found my mother’s diary.  Not really a diary, a suitcase full of stuff she wrote for a writing class, but one of the assignments was to keep a journal, and my sister said DON’T READ IT and I read it, and I’m telling you.

DO NOT READ THE DIARY.

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Grey's Anatomy producer / writer Krista Vernoff, who authored last night's episode, posted some thoughts on last night's "Here Comes the Flood" on the writers' blog. Below are some excerpts about a pivotal scene, with a link to her full column at the end ...

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... I love therapy and I love what’s it done for Meredith in the short amount of time she’s gone ... I’m proud of Meredith that she got as far as she did. And I love that last scene where she stands up to Derek. She doesn’t get drunk. She doesn’t freak out. She doesn’t walk away. She doesn’t ignore him. She doesn’t leave him. She just stands there and tells him her truth.

And that is so so so hard and so so so scary for her (as it is for a lot of us.) And what I love most is the look of shock on her face when it works. It’s so hard to change. For everyone I know, change and growth are deeply difficult tasks. And so it makes me happy for Meredith and Derek that they are taking baby steps toward happiness and function.

When we were shooting that scene, Ellen Pompeo (Meredith) expressed concern to me about her question to Derek at the end. “You still love me?”

She was concerned that it sent a message to the girls and women who watch our show that a man’s love is the thing that matters most.

But she didn’t say the girls and women who watch our show.

She said “the future Coco’s of the world.” Cause Coco’s my daughter, and Ellen’s no dummy, she knows how to get a writer to listen!) But my feeling is this: I was not trying to say that a man’s love is what matters most. I was trying to say that the ability to know and trust that you (and by you I mean, me, Meredith, all of us) are lovable.

Continue reading Krista's column on the show's writers' blog ...

Shonda Rhimes speaks! The Grey's Anatomy creator and executive producer posted some thoughts on last night's premiere on her official blog. But basically, she's content letting this terrific episode speak for itself - and telling us we ain't seen nothin' yet ...

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So Derek got dead, Mer and Cristina got old together, and Izzie showed Denny her prom dress.

Such is the stuff of dreams.  Which was kind of my theme. For this episode.  And this season. Dreams. And whether or not they come true.

This is Season Five, people.

We, the writers, we call it our all in, go for broke season. We’re like the Chief – the bar has been raised and we’re the ones raising it. For us, Grey's Anatomy is new again. Full of chances and possibilities. Our characters are new again, starting fresh. We’re hopeful again.

And we’re enjoying being hopeful. All the rules are changing.

I know you are wondering, “Okay, what does this mean?” And I could tell you. But I’d rather you watch and see for yourselves.

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Many fans and pundits alike have opined that in the past two years, Grey's Anatomy may have slipped a bit and lost its sense of balance.

With Season Five on the horizon, can it be recovered?

Grey's Anatomy became an instant and enormous hit because of its combination of several different elements into a wildly entertaining mixture: it was a medical show, a romantic soap opera and a comedy all at the same time.

What seemed to happen in Seasons Three and Four is that the show jettisoned everything except the romantic angst: comedic bits became harder to find, and the medical stories were limited to the occasional wacky patient.

Complaints about the writing on Grey's Anatomy became big news last month when one of its own stars, the outspoken Katherine Heigl, criticized the material her character, Izzie Stevens had been given over the past year.

She was ripped by critics and fans, but in some ways, Heigl was late to the party; fans of the show had been complaining long before she did.

Earlier this year, a petition was circulated to protest its transformation "from being something amazing to something we don't even recognize."

Grey's Anatomy is not alone in losing the fire. With so many shows starting out huge and then imploding, some critics are starting to worry that the very act of getting popular is the creative kiss of death in TV.

Continue reading this column about Grey's Anatomy by Jaime J. Weinman of MacLean's (Canada) by following the link here ...

So Derek and Meredith, as promised and hinted and prayed for by countless fans, might actually stay together. Might, because TV writers are cruel, and there are plenty of potential soap-opera obstacles in their path.

Still, the prospect of hope loomed large in Thursday's Grey's Anatomy season finale, "Freedom." And for Grey's Anatomy - which has ended many seasons by yanking happiness out of its characters' grasp - this truly counts as reinvention.

According to the Boston Globe, reinvention and recalibration have been the recurring theme of this season on ABC, between the Grey's Anatomy mood shift and the five-year time jump that marked the end of Desperate Housewives.

It's an important prospect, at a time when some of the network's biggest hits are showing signs of age - and network TV as a whole is fighting harder and harder for viewers. A hit only deserves to be a hit if it still has the capacity to surprise.

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For Grey's Anatomy fans who began the season wondering if Dr. ­Erica Hahn (Brooke Smith) was gay, last week's season finale offered an answer - she might just be, after Dr. Callie Torres (Sara Ramirez) made her move.

The two-hour episode - which culminated with Callie planting a kiss on Erica outside of Seattle Grace - had people asking: For the love of The L Word, could EriCal eclipse MerDer as the Grey's Anatomy "It" couple?

Creator Shonda Rhimes tells Entertainment Weekly that we may not have seen the last of this budding (and much buzzed-about) Seattle Grace romance.

Is there a future for Callie (Sara Ramirez) and Erica (Brooke Smith)?

"Callie and Erica have an undeniable chemistry," says Shonda Rhimes.

"Watching the story unfold is something the writers are looking forward to. I wanted to illuminate their relationship in the same way we try to do all relationships on the show - ­funny, sweet, honest, and a little bit dirty."

As for Brooke Smith, she doesn't think Dr. Hahn was coming out of the closet in the last few weeks leading up to the finale.

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With last night's fourth season finale, "Freedom," creator and executive producer Shonda Rhimes feels she's brought Grey's Anatomy full circle at last.

Here are excerpts of her thoughts on this two-hour episode - which should go down as one of the most memorable in Grey's Anatomy history ...

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So that was Season Four.

Right after we finished filming the finale of Season Three, I sat down with the Grey's Anatomy writing staff and I pitched them the last scene of Season Four.

That's how I do it. I start at the end.

When Season Two concluded, I pitched the image of Cristina tearing off her wedding dress and crying in Meredith's arms. For this season, I knew I wanted more hope.

I knew I personally NEEDED more hope.

So I pitched Meredith Grey standing on Derek's land in a field of candles telling Derek where the living room could be, where the kitchen could be, where kids could play.

Because I wanted them together. I HATED them being apart. It made me sad. It made me sad in a way that was bad for me and for everyone around me.

In the season finale, "Freedom," Meredith Grey finally "got there."

But I also knew that, in order for Meredith Grey to stand there in that field of candles, she had to get there. On the inside. Now I'm not an oogey inside person. I don't do warm and fuzzy and I certainly don't believe in therapy.

For other people, it's fine (yay, therapy!). For me, not so much. I write - that's how I deal with my insides. And Meredith, she performs surgery. That's how she deals.

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The head writer of the May 15 episode, Debora Cahn, talks about "Losing My Mind" in detail on the show's official writers' blog. Here are excerpts of her thoughts on the most recent Grey's Anatomy episode - the last before the season finale ...

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I had fun with this episode.

The Bailey and Tucker fight was fun. It was satisfying. It was satisfying to write a fight where there's no good guy and no bad guy and no mistake, just two people who love each other and want to make it work and can't. Because it's really friggin hard to make it work. Love, good intentions and good actions don't always help. It's just hard.

The Andre thing was really fun.

We were putting together a story about a woman who was lonely and sad, and because of her tumor, crazy, and the crazy manifested itself in her fabricating a man to be in love with. She'd have this whole big happy love affair with a man who didn't exist.

Meredith, Derek and their clinical trial patient in "Losing My Mind."

Then Shonda Rhimes walked right in the writer's room and said, "Okay, fine, she can be in love with a guy who doesn't exist, as long as he shows up at the hospital after she falls into an irreversible coma."

That's when I become filled with self-loathing.

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The head writer of last week's episode, Joan Rater, talks about "The Becoming" in great detail on the show's official writers' blog. Here's what the writer herself has to say about last Thursday's terrific Grey's Anatomy episode ...

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I'd like to share some thoughts on ["The Becoming"] but first I'd like to say ... OH MY GOD!!!! I just saw some stuff that was shot for the upcoming Season Four finale (that Shonda Rhimes wrote) and it's soooooooo good.

I don't mean to torment you and I really wish I could tell you all the cool things that are going to happen, and you should know the great restraint it's taking me not to give you even the tiniest little hint of what's to come (keep an eye on that champagne bottle from tonight's episode) because I have a big mouth and am really bad at keeping secrets so I can really relate to Izzie in this episode.

But enough about me and the Season 4 finale because first we have to get there and getting there is really what "The Becoming" is about.

Becoming who you want to be, who you know you could be if you weren't quite so screwed up or preoccupied with kissing when thinking about surgery.

All of our doctors are trying to become these people they see in their head, the versions of themselves who are strong and successful and happy, their best selves.

Izzie wants to be a good doctor and keep the news of Ava confidential - but also wants to be a good friend to Alex, who is changing his life for this baby that doesn't exist.

Alex Karev wants to be a good parent, but he himself didn't have very good role models, so he's scared that he won't be able to do it.

George is trying to be okay with the fact that he has to repeat his intern year, and Cristina is really trying to make the best of a bad situation with Hahn.

And then there's Meredith Grey.

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The head writer of last week's episode, Stacy McKee, talks about "Piece of My Heart" in great on the show's official writers' blog. Here's what she has to say about last Thursday's terrific Grey's Anatomy episode...

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Okay, before I start the blog, I have a confession to make. About the character of Addison: I love her. Not vagina monologue kind of love â€" but love nonetheless.

I love her sense of humor. I love her friendships with Callie and Bailey.

I love how Addison Montgomery has always known exactly how to call Derek out on exactly whatever it is he needs to be called out on.

I love how good she is at her job. I love that she's basically Sloan's McDreamy â€" even if his feelings aren't reciprocated. I love that she loves potato chips.

I love that she walks the hospital halls in heels that any normal woman would twist her ankle in... I love Addison. And I love that this was her Grey's Anatomy episode to come back to Seattle Grace for a visit.

The nice thing about bringing Addison back right now is that â€" she's been gone a while. She hasn't been privy to most of the Seattle Grace shenanigans since her departure.

So she's uniquely qualified to walk back through the doors at SGH and call things like she sees them. She can react the way we're all secretly reacting to Derek Christopher Shepherd pining away for someone OTHER than Meredith Grey.

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